merci had a tintin themed party. i went as tintin as seen here (in america). i should have gone as that bear.
Showing posts with label excerpt. Show all posts
Showing posts with label excerpt. Show all posts
July 24, 2011
February 28, 2011
middlemarch
"He has got no good red blood in his body," said Sir James.
"No. Somebody put a drop under a magnifying-glass, and it was all semicolons and parentheses," said Mrs Cadwallader.
sounds like george eliot and i have some mutual acquaintances.
"No. Somebody put a drop under a magnifying-glass, and it was all semicolons and parentheses," said Mrs Cadwallader.
sounds like george eliot and i have some mutual acquaintances.
November 3, 2010
more nabokov
Now, frankly speaking, I have always been irritated by the complacent conviction that a ripple of stream consciousness, a few healthy obscenities, and a dash of communism in any old slop pail will alchemically and automatically produce ultramodern literature; and I will contend until I am shot that art as soon as it is brought into contact with politics inevitably sinks to the level of ideological trash.
from Spring in Fialta
from Spring in Fialta
October 12, 2010
nabokov
It was necessary to shut the window: rain was striking the sill and splashing the parquet and armchairs. With a fresh, slippery sound, enormous silver spectres sped through the garden, through the foliage, along the orange sand. The drainpipe rattled and choked. You were playing Bach. The piano had raised its lacquered wing, under the wing lay a lyre, and little hammers were rippling cross the strings. The brocade rug, crumpling into coarse folds, had slid partway off the piano’s tail, dropping an opened opus onto the floor. Every now and then, through the frenzy of the fugue, your ring would clink on the keys as, incessantly, magnificently, the June shower slashed the windowpanes. And you, without interrupting your playing, and slightly tilting your head, were exclaiming, in time to the beat, “The rain, the rain … I am go-ing to drown it out….”
But you could not.
…
I had a feeling of enraptured equilibrium as I sensed the musical relationship between the silvery spectres of rain and your inclined shoulders, which would give a shudder when you pressed your fingers into the rippling lustre. And when I withdrew deep into myself the whole world seemed like that – homogeneous, congruent, bound by the laws of harmony. I myself, you, the carnations, at that instant all became vertical chords on musical staves. I realized that everything in the world was an interplay of identical particles comprising different kinds of consonance: the trees, the water, you… All was unified, equivalent, divine.
…
I recall you within a chance patch of sunlight. You had sharp elbows and pale, dusty-looking eyes. When you spoke, you would carve the air with the riblike edge of your little hand and the glint of a bracelet on your thin wrist. Your hair would melt as it merged with the sunlit air that quivered around it. You smoked copiously and nervously. You exhaled through both nostrils, obliquely flicking off the ash.
…
Your love was a bit muted, as was your voice. One might say you loved askance, and you never spoke about love. You were one of those habitually untalkative women, to whose silence one immediately grows accustomed. But now and then something in you burst forth. Then your giant Bechstein would thunder, or else, gazing mistily straight ahead, you would tell me hilarious anecdotes you had heard from your husband or from his regimental comrades. I remember your hands – elongated, pale hands with bluish veins.
taken from a short story called Sounds, by Vladimir Nabokov.
October 5, 2010
my name
I guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you that what you did was wrong - "Sorry for the mistake," - and you had to do something else.
That is my name.
Perhaps it was a game that you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near a window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There was somebody near you who loved you. They were about to touch you. You could feel this before it happened.
That is my name.
Or you heard someone calling from a great distance. Their voice was almost an echo.
That is my name.
Perhaps you were lying in bed, almost ready to go to sleep and you laughed at something, a joke unto yourself, a good way to end the day.
That is my name.
Or you were eating something good and for a second forgot what you were eating, but still went on, knowing it was good.
That is my name.
Perhaps it was around midnight and the fire tolled like a bell inside the stove.
That is my name.
Or you felt bad when she said that thing to you. She could have told it to someone else: Somebody who was more familiar with her problems.
That is my name.
Perhaps the trout swam in the pool but the river was only eight inches wide and the moon shone on iDEATH and the watermelon fields glowed out of proportion, dark and the moon seemed to rise from every plant.
That is my name.
And I wish Margaret would leave me alone.
Richard Brautigan, from In Watermelon Sugar.
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